1 / 2018-03-01 23:30:50

From the audience to the protagonists: a Drama approach to Marx's textual interpretation

Marx; experience; theater; practice; tour

In addition to unidirectional theoretical communication, there are other ways of communication between Marx's text and the interpreter.
From the perspective of drama, we can find the dramatic structure of Marx's text.
Marx's text, there is a drama expression mode, theater, music, clothing, characters, plot and other elements interspersed in Marx's text.
In this theater, people transcend the abstract and logical interpretation of Marx, and directly let their own feelings encounter with Marx's text, and throw themselves into a kind of experience that shares Marx's feelings and feelings.
This experience eliminates the subjective and objective treatment in the interpretation of Mark's text.
In the theater provided to readers by Marx's text, readers can play a role in it, thus achieving a special practice, which shares Marx's feelings, and realizes the transformation from audience to protagonist.
This practice has opened up a new direction of Marx's text interpretation.
Marx's theatrical model is not static, but in the changes of times and historical scenes, Marx's ideas run through different historical nodes, and maintain the vitality and explanatory power of Marx's text.